ABBASAL\u00ccA – Piano music from Sardinia<\/strong>, collects some musical pieces for piano, as they were improvised and recorded by Maurizio Puxeddu between 1996 and 2000. It was a preparatory work for something more articulated and complex, a bit like when a painter makes a first sketch, in pencil, pen or charcoal, of the work he intends to create in its entirety. Often, in these sketches there is all the pathos and the meaning of what we could perceive in the work that will eventually be created. We find the freshness of the creative and expressive act.<\/p>\nThe recording took place with a piano, exactly with the same original instrument on which the pieces were conceived and composed. In the following years, various arrangements of these music were then prepared, for live musical performances in the following musical projects:<\/p>\n
1996 \u2013 Aterusonus – Maurizio Puxeddu (launeddas, piano), Alessandro Garau (percussion), Adriano Orr\u00f9 (double-bass)
\n1999 \u2013 The new launeddas – Maurizio Puxeddu (launeddas, accordion), Silvia Corda (piano), Adriano Orr\u00f9 (double-bass), Massimo Cappai (soprano sax), Alessandro Corona (drum, percussion)
\n2000 \u2013 Intrecci – Maurizio Puxeddu (direction, composition, launeddas, piano, sound inventions, electronics), Enrico Di Felice (flutes), Roberto Pellegrini (percussion)
\n2000 \u2013 Mediterranea – Maurizio Puxeddu, Silvia Corda, Adriano Orr\u00f9, Roberto Pellegrini
\n2001 \u2013 Mediterranea – Maurizio Puxeddu (direction, composition, launeddas, piano), Enrico Di Felice (flutes), Roberto Pellegrini (percussion)
\n2002 \u2013 Keepers of the time – Maurizio Puxeddu (direction, composition and arrangements, piano, Sardinian guitar, bena ‘e corru, pitiolus), Gianluigi Trovesi (clarinets), Coro a Tenore \u201cSan Gavino\u201d di Oniferi, Rossella Faa (voice), Enrico Di Felice (flute), Massimo Cappai (sax), Nicola Piras (sax), Giuseppe Orr\u00f9 (launeddas), Renzo Zucca (launeddas), Fabrizio Meloni (cello), Pierpaolo Cardia (synth), Alberto Cabiddu (percussion), Alessandro Corona (drum), Massimo Tore (double-bass)<\/p>\n
What you will hear on this album, finalized and released in 2020, are not the subsequent elaborations, but the original themes and sound developments.<\/p>\n
\nAbbasal\u00eca<\/h5>\n
1. Gaia (3\u201949\u201d)
\n2. Wind and sea (5\u201937\u201d)
\n3. Ballu tundu (4\u201938\u201d)
\n4. Istedda (5\u201914\u201d)
\n5. Bardana (4\u201934\u201d)
\n6. Namuhni (2\u201950\u201d)
\n7. Slavo meditation (2\u201948\u201d)
\n8. Nurake (3\u201915\u201d)
\n9. Remote dance (3\u201946\u201d)
\n10. Mariazioni (9\u201942\u201d)<\/p>\n
Copyright\u00a0\u00a9<\/b>\u00a0Maurizio Puxeddu (1996\/2000)<\/p>\n
\n
Credits
\nMaurizio Puxeddu: Piano<\/p>\n
Compositions by Maurizio Puxeddu
\nAudio and graphic editing by M.Puxeddu<\/p>\n
For audio editing, the following were used:
\n(1996-2000) SYNTRILLIUM SOFTWARE Cool Edit PRO, EDIROL UA-5,
\n(2020) PRESONUS Studio One 4 Professional, PRESONUS StudioLive 32 III, PRESONUS Eris 5, Bowers & Wilkins 601 S2.<\/p>\n
The piano used is a GENERALMUSIC Real Piano PRO 2.<\/p>\n
In Gaia and Remote dance a delay was used in real time.<\/p>\n
\nAcknowledgments
\nFor the choice of the cover, I thank Enrico Di Felice because, advising me to rotate the inverted color photo I had submitted to him vertically, he turned on the light bulb. Look, it looks like a sea with foaming waves. Graphics also play their part and should have contextual meaning.<\/p>\n","protected":false},"excerpt":{"rendered":"
ABBASAL\u00ccA LISTEN ON YOUTUBE >\u00a0 LISTEN ON SPOTIFY >\u00a0 Copyright\u00a0\u00a9\u00a0Maurizio Puxeddu (1996\/2000) Do you need a complet score? Contact me > The album entitled ABBASAL\u00ccA – Piano music from Sardinia, collects some musical pieces for piano, as they were improvised and recorded by Maurizio Puxeddu between 1996 and 2000. It was a preparatory work for … <\/p>\n
Continue reading “MUSIC and…”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"translation":{"provider":"WPGlobus","version":"2.12.0","language":"gb","enabled_languages":["gb","it"],"languages":{"gb":{"title":true,"content":true,"excerpt":false},"it":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/pages\/24"}],"collection":[{"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":39,"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":565,"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/pages\/24\/revisions\/565"}],"wp:attachment":[{"href":"http:\/\/www.mauriziopuxeddu.com\/muz\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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